Loading.....

Magnetic North Blog

This is some blog description about this site

Magnetic North's plans for 2015-16

We've got a full programme of artist and project development projects between now and March 2016, following a successful funding bid to Creative Scotland. Among the highlights are Our Fathers - a new project about faith, to be created in collaboration with playwright Rob Drummond and based on Edmund Gosse’s book Father and Son; Rough Mix - a multi-art form artist development residency at Summerhall in Edinburgh and Space/Time - a creative retreat for experienced artists at Cove Park, Argyll and Bute. As part of its commitment to developing and widening opportunities for all artists, we will ensure that at least one of the residency places is taken by a Deaf or disabled artist.

We are really pleased to be announcing this exciting programme of new work – it is great that Creative Scotland has recognised the quality and strength of the work we have been doing with artists across art forms over the last few years. Since we ran our first Artist Development residency Rough Mix at Dance Base in late 2006, we’ve worked with over 50 established and emerging artists, supporting them to explore new ideas and giving them time to reflect on their work. I’m particularly excited to be working with Rob Drummond on a project that is very close to both our hearts and which we have discussed for some time.

Our Fathers is the working title for a project based on Father and Son, the poet Edmund Gosse’s memoir of his upbringing in a strict, evangelical Plymouth Brethren family. Tightly bound to his father by the early death of his mother and his father’s burning sense of Edmund’s destiny as a great preacher, Gosse came to a gradual realisation of his own sense of self, culminating in his rejection of religion. Rob and I were both brought up in religious households and had fathers who were clergymen, so we have a very personal take on this story. We'll be working at the Tron in September to develop ideas for the production, which we plan to tour in Autumn 2016.

Rough Mix is a two week, practical, multi-art form residency for 6 experienced artists and 2 emerging artists. Previous residencies have taken place at Dance Base and Summerhall in Edinburgh, and Tramway in Glasgow; this year’s residency will again be at Summerhall. Previous participants have included playwrights, composers, visual artists, choreographers and film-makers. The residency will take place from 14th-25th September and we'll be announcing deatils of how to apply at the end of May. You can read more here.

Space/Time is a week-long retreat for established artists. It combines facilitated dialogue - built around self-generated questions and a series of provocations and tasks - with individual time for reflection.  This year’s retreat will be at Cove Park Artists’ Centre in Argyll and Bute from 19th-26th October. Previous retreats have been held at Lyth Arts Centre in Caithness and Cromarty Arts Trust. Details of how to apply will be available at the end of May.

We will also continue to support participating artists after the residencies by offering tailored support in the form of individual mentoring advice on further development opportunities for their work, and introductions to other artists or producers who may be of help to them. The company is now using its producing expertise to work with Rough Mix alumni to help them put on their work: it is currently working with composer Matthew Collings (who took part in Rough Mix in 2014) to produce his A Requiem for Edward Snowden, a collaboration with sound and visual artist Jules Rawlinson, which will be performed at this year’s Edinburgh Festival Fringe as part of the Made in Scotland programme. 

We'll be announcing more work soon.

Continue reading
1481 Hits
0 Comments

Pass the spoon nominated for Creative Scotland Theatre Award 2012

Pass the Spoon, the sort-of opera by David Fennessy, David Shrigley and Nicholas Bone, has been nominated for the inaugural Creative Scotland Awards 2012 it has been announced today.  The nomination is for the theatre category, which promises to ‘bring the curtain up on an outstanding individual performance or production which made a significant impact on the stage this year.’

First performed at Tramway, Glasgow in November 2011 to sell out audiences and great acclaim, Pass the Spoon has since been performed at the Traverse Theatre, Edinburgh and at London’s Southbank Centre in the prestigious Queen Elizabeth Hall.  It was also the first live performance to be streamed from the Arts Council England and BBC new digital platform The Space.  The show is available to watch free and on-demand on www.thespace.org.

Continue reading
1999 Hits
0 Comments

Open Source Is Up And Running

Hello to all new Open Source members.


Had a few technical problems with the site initially but they've been ironed out and we're now fully live.


As this is a brand new site, we're really keen to hear from you about how you're finding it- don't be afraid to ask us any questions or let us know if something could be improved.


The best place to do this is by posting on our Forums.


Don't forget, if you've got friends you think would like to sign up to Open Source, you can invite them by sending them a message from your Profile Page.


Hope you enjoy having a look around Open Source.

Continue reading
1293 Hits
0 Comments

Open Source launch

We've now gone live with the site.  Due to a last minute technical glitch we had to delete all the content we'd already uploaded, so there's not as much stuff to see as we'd planned.  We're going to be putting new content up as quickly as we can, but in the meantime have a look around and maybe even post some of your own content.


Nick

Continue reading
1270 Hits
0 Comments

Festival update

Pamela Carter (who is writing Wild Boy) and I have spent the last two weeks taking part in the Edinburgh International Festival and National Theatre of Scotland's joint Summer School.  As part of this, we have been seeing lots of theatre (some inspiring, some less so) and meeting other practitioners.  For the last three days we have a had an amazing experience taking part in a workshop with Lee Breuer and Maude Mitchell from Mabou Mines.  Anyone who saw the extraordinary DollHouse at the Festival two years ago (a production which Lee directed and in which Maude played Nora) will know that they are theatremakers of great vision and skill. 

 

Along with 10 other practitioners (directors and writers), we each presented a piece of work which Lee and Maude then critiqued and discussed.  Pamela worked on a scene from her new play (which she will be directing at the Traverse early next year) and I worked on a scene from George Kaufman and Edna Ferber's play Dinner at Eight.

 

What was wonderful was the care and skill which Lee and Maude brought to the process - respectful, generous and insightful, they were able to help us to look differently at our work.  Lee is not only a hugely experienced director with a great practical knowledge of dealing with the stage and text, but also has a deep understanding of the theory and history of theatre.  At the end of each shwoing he would immediately come up with two or three nuggets of why some things worked, why some didn't and what needed to be thought about.

 

All of us came away from the experience with enormous respect for both Maude and Lee and the feeling that we had all learned things that would affect our future work (not always the experience you have at workshops).

 

On Wednesday we're going to see Peter and Wendy, Lee's adaptation of Peter Pan

 

If you want to find out more about Mabou Mines, their website is at http://www.maboumines.org/

Continue reading
1162 Hits
0 Comments

Subscribe to our Blog

Latest Comment

J. Sharp Taking A Walk
07 September 2014
Very much enjoyed your show at the Brunton Theatre last night and the silent walk to start was an excellent addition, creating the perfect atmosphere....