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Space/Time retreat Oct 2016

Space Time is a paid 5 day creative retreat for experienced artists from all disciplines that asks the question “How does an artist keep developing?”

It aims to refresh participants through a stimulating and provocative examination of creativity.

The residency combines facilitated dialogue - built around a series of provocations and questions - with time for individual reflection and work.  It is led by Nicholas Bone and Alice McGrath.

The next Space/Time retreat will run from 11 - 16 October 2016, presented in partnership with Cove Park.

We are delighted to announce that the artists taking part are:

Mamoru Iriguchi (theatre-maker)

Maria Oller (theatre-maker)

Kirsty Whiten (visual artist)

Flore Gardner (visual artist)

Anthony Green (composer)

The next Space/Time residency will be in Spring 2017; sign up to our Artist Development mailing list to be notified when more information is available.

To find out more, watch this short film which captures the reflections of the artists who took part in the 2015 retreat.

 

 

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Erewhon by Arthur Meek

Slide01New Zealand playwright Arthur Meek is currently writer in residence with Magnetic North. As part of the residency, we have commissioned Arthur to write a new play, Erewhon, based on Samuel Butler’s 1872 utopian satire. 

Please join us at the Traverse Theatre on Wednesday 14 September at 7pm for a sharing of work in progress followed by a Q&A with Arthur Meek and Nicholas Bone.  This email address is being protected from spambots. You need JavaScript enabled to view it.

Arthur’s starting point is the illustrated talk that Butler’s narrator describes giving after his escape from the land of Erewhon.  In this 21st century version Powerpoint meets the magic lantern lecture in a solo performance piece with plenty to say about familiarity and difference across cultures. 

Arthur worked on Erewhon as one of the artists participating in our creative development residency, Rough Mix, earlier in the summer and has also spent a week at Cove Park working on the text before starting these 2 weeks of development at the Traverse.  He has been supported throughout by our artistic director Nicholas Bone. 

The commission is supported through a Playwright Residency and Exchange Programme led by Playmarket New Zealand and Playwrights’ Studio Scotland, funded by Creative New Zealand. Thanks also to the Traverse for their support of the development and sharing.  

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We look forward to seeing you there.

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Magnetic North associate artists at the Edinburgh Fringe

There’s a great crop of shows by Magnetic North artists, associates and Rough Mixers at this year’s Edinburgh Fringe Festival and beyond this summer.

Denton and Me

Denton and Me 300x300Magnetic North’s artistic director Nicholas Bone directs the revival of Denton and Me by Sam Rowe, part of the curated Made in Scotland showcase.  This multi-layered, stunningly designed show weaves together writer and performer Sam Rowe’s autobiography with the writing of Denton Welch (1915-1948), a fascinating figure in queer literary history, and favourite of Alan Bennett, William S Burroughs and John Waters.  A hit in its first outing at The Arches ("amusing, complex and forthright" «««« The Herald), Denton and Me runs at Summerhall from 3-28 August at 15.05.  

 

In the Making Collective

Nicholas is also performing as part of In the Making Collective, a shifting assemblage of Scotland based dancers and makers.  Led by Matthew Hawkins with Rough Mix participants Merav Israel and Claire Pencak, the group are collaborating to develop score-based choreographic performances with a different offering each day.   The project experiments with collective devising and presentation, looking at processes of making, multi-authorship and shared leadership.  The group’s first public performances, Mushroom!, take place at Gayfield Creative Space from 24-29 August at 16.00. Tickets. 

Faslane

Fringe First winner Jenna Watt will join Magnetic North as assistant director on our upcoming production of Our Fathers by Rob Drummond and Nicholas Bone, as part of the FST bursary scheme.  Her own solo show, Faslane, explores what happens when the personal and political collide.  With family having worked in Faslane all her life, and with friends protesting at the gates, Jenna navigates her own journey through the politics, protests and peace camps. Rough Mixer Kim Moore is the sound artist.  Faslane runs at Summerhall from 3-28 August at 19.15.    

On the Conditions and Possibilities of Hillary Clinton Taking Me as her Young Lover  HCYL HERO 300x300

Arthur Meek is currently Writer in Residence with Magnetic North, thanks to a joint initiative run by Playmarket New Zealand and Playwrights’ Studio Scotland: the development agencies for playwrights for their respective countries. Arthur takes time out from developing new work to present his absurd and very timely comedy lecture, On the Conditions and Possibilities of Hillary Clinton Taking Me as Her Young Lover.  Premiered at La Mama Experimental Theatre in New York, the show runs at Summerhall from 5-28 August at 13.05

The Dwelling Place

Jamie Wardrop, an emerging artist at Rough Mix 2012, is presenting his collaboration with his brother Lewis, The Dwelling Place.  An immersive, limited capacity performance installation, The Dwelling Place transports its audience to an abandoned cottage on the Outer Hebrides with striking live visuals, electronic sound and the words of the great highland poets. It runs in the basement at Summerhall from 3 – 19 August at 4pm and 7pm.

Blow Off

Composer Kim Moore also took part in Rough Mix 2012, and subsequently wrote music and sound for Magnetic North’s production of Sex and God.  She has composed music for, and plays live in the world premiere of Julia Taudevin’s Blow Off, along with Glasgow’s indie-pop duo Tuff Love.  Part theatre, part gig, Blow Off is a fierce and playful feminist work exploring the psychology of extremism with haunting melodies and progressive punk riffs.  There are 2 performances as part of the Traverse festival programme on Mon 22 August at 4pm & 7.30pm

Extreme Light North: Shetland

Meanwhile in Shetland... Rough Mixer Clare Duffy is making a site-specific performance at Sumburgh Lighthouse in Shetland on 28 August 2016. Clare was resident at the lighthouse in January this year and will return to Sumburgh in August to create this one-off performance, Extreme Light North: Shetland.  Supported by a Creative Scotland Artist Bursary, the performance explores the effects of living in places with extreme light levels – a phenomenon only found north of the 60 degree parallel. As she prepares for the main performance, Clare will be also be making a series of daily short performances in view of the Sumburgh lighthouse webcams. These performances will be available to watch live via the webcams - check @xremelightnorth on Twitter for dates and times. 

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Rough Mix in Aberdeen

This year's Rough Mix takes place at The Lemon Tree in Aberdeen, in partnership with Aberdeen Performing Arts.

The participating artists and our Artistic Director Nicholas Bone talk about their plans for the residency in this video:

Tickets for the free sharing of work in progress on Friday 15 July, 6pm, are available here. 

Rough Mix Aberdeen has been realised in partnership with Aberdeen Performing Arts and is supported by Creative Scotland, the David & June Gordon Memorial Trust and Aberdeen City Council creative funding.

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An introduction to Rough Mix 2016 in Aberdeen

This year’s Rough Mix will be the seventh time we’ve run this multi-art form residency, but the first time we’ve taken it outside the Central Belt. The 2016 edition will take place at The Lemon Tree in Aberdeen and is being produced in partnership with Aberdeen Performing Arts.

Each Rough Mix is different, its character created by the mix of artists involved. This year we have a wonderful group of artists from near and far: playwright Arthur Meek will travel 12,000 miles from New Zealand, while visual artist Aminder Virdee will come the 16 miles from Inverurie. It is always fascinating to see how the ideas each artist brings develop over the two weeks. We’ll be blogging regularly during the residency, and you are welcome to join us for a sharing of work at The Lemon Tree on Friday 15th July at 6.00pm.  Book a free ticket here.

Rough Mix involves 15 people: 5 experienced artists, 2 emerging artists, 6 performers, a stage manager and me as facilitator. Each contributes to the success of the residency, but the project ideas that the experienced artists bring are at the heart of what happens. Here is a brief introduction to the experienced artists and their projects:

Aminder Virdee is a visual artist based in Inverurie, Aberdeenshire. She graduated in Mixed Media Fine Art from the University of Westminster in 2012, since when her work has been shown in galleries across the UK. Her recent work includes ...And the Odds & Sods - a piece motivated by the ‘Fit To Work’ ATOS scandal in 2012 - which was part of a touring exhibition across London and England with Shape Arts; Keep This Leaflet, You May Need To Read It Again, shown at the Bonington Gallery in Nottingham and the COAST festival in Banff.  Exploration of the disabled identity is a crucial aspect in Aminder’s work, influenced by her own experiences. The synergy between her body and her immediate environment is entirely dictated by her physical impairments and she implements different approaches to her work according to the way her impairments manifest themselves at any one time.

Aminder’s project explores stereotypes, connotations and narratives of disability. She plans to create multiple fictional identities for herself as performer, building on her personal experiences. These new-born identities will each have a narrative relating to bodily difference, supported by fictional evidence such as hospital letters, x-rays and scans. By performing these new characters herself, Aminder aims to use the disabled body as a critical aesthetic medium rather than an object.  Aminder's sharing of work in progress will be BSL interpreted.  

aminder-virdee.com

 

Arthur Meek is a playwright and performer from New Zealand. His plays include Trees Beneath the Lake, On the Upside Down of the World, Charles Darwin: Collapsing Creation (Downstage/ Nelson Festival of the Arts), Dark Stars (Artworks/ international tour), Yolk (Young & Hungry), Mando the Goat Herd (Allen Hall), The Burn (Wellington International Fringe), and The Eeneid (IronBark at the Bush).

He is the co-adaptor of On the Conditions and Possibilities of Hillary Clinton Taking Me as Her Young Lover (La Mama, New York) - which he will perform at the 2016 Edinburgh Fringe – is an original member of the musical comedy band The Lonesome Buckwhips, and was the co-creator and star of the television show Feedback (TV2).

Arthur is exploring Samuel Butler’s 1872 utopian satire Erewhon as the starting point for a new one-man play. The novel draws on Butler’s experiences as a sheep farmer in New Zealand in the 1860s and Arthur’s starting point is the illustrated talk that Butler’s narrator describes giving after his escape from the land of Erewhon.

www.arthurmeek.com

 

Katherine Nesbitt is a theatre director. Originally from Belfast, she is now based in London after 10 years in Glasgow.  She’s created work for the Tron Theatre, the Arches, Toonspeak Young People’s Theatre, the Scottish Refugee Council, A Moment’s Peace Theatre Company, Prague Fringe and the Edinburgh Fringe.  She has also worked as an assistant director with Magnetic North, Oran Mor and the Traverse Theatre.

Her project explores the miscommunications that are present in all relationships, and the compound effect that depression and anxiety have on the ability to speak to one another honestly and clearly.  The project will build on the idea of a couple who speak to one another both directly and indirectly on stage – telling each other one thing, and then telling the audience another – but the female character’s direct speech to her partner will be in another language.  This idea explores research that has shown that learning a second language can have huge benefits for some sufferers of depression or anxiety.  People are found to often be less emotional and more practical in a second language, and Katherine is interested in the idea that this might enable one character to speak more openly to the other about her problems.  This openness, though, is only effective when the second language is also understood by the listener, which is not the case with her partner. Katherine will use this as an opportunity to explore how we perform or translate our internal selves to others.

Marisa Zanotti is a film maker, writer and researcher based in Brighton. She originally trained as a dancer at the Laban Centre and has worked extensively in performance, choreography, theatre and installation practice.  She co-directed San Diego with David Greig for the Edinburgh International Festival in 2003 and worked extensively in new writing theatre as a movement director from 1996-2002, collaborating with many directors including Vicky Featherstone and John Tiffany, on plays by Abi Morgan, Stephen Greenhorn and David Harrower amongst others.

She has consistently explored new technologies in her work, initially in relation to their role in live work and more recently in transmedia work. In 2012 she developed the UK's first choreographic Web App for phones and tablets with choreographer Ben Wright. She is currently collaborating with choreographer Lea Anderson on the The Pan’s People Papers a transmedia project commissioned by South East Dance with funding from The Arts Council of England. 

Her project arises from observing her own behaviour when using connected devices and questioning how this affects society more widely.  Are the fragmented attention spans of being constantly connected to different online platforms creating new languages and capacities?  She will explore how technologies produce different bodily capacities and experiences in people and how these experiences might be represented and explored in performance, film, text and sound.

marisazanotti.net

 

Matthew Whiteside is a composer, collaborator and sound designer based in Glasgow. He writes music for concert, film and collaborative installations often-using live electronics within his work. His music has been performed across the world including Dublin’s National Concert Hall, Glasgow City Halls, Salem Artworks in New York and the Belfast International Festival at Queen’s. His debut album Dichroic Light was released in 2015 and includes Solo for Viola d’amore and Live Electronics, recorded by Emma Lloyd. He composed the music for Michael Palin’s Quest for Artemisia, shown on BBC 4, and has scored the feature films Anna Unbound and The Loudest Sound and the short film Edward. He is a founding member and director of Edit-Point, an ensemble dedicated to the performance of electroacoustic music.

 

Matthew’s project explores physical theatricality within musical performance. His work to date has involved fairly stationary and seated performers but he is interested in the idea of creating a new piece for a small ensemble, singer and dancer.  During Rough Mix, he will explore how technology that tracks people’s movements can be used to control live electronics and visuals.

www.matthewwhiteside.co.uk

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J. Sharp Taking A Walk
07 September 2014
Very much enjoyed your show at the Brunton Theatre last night and the silent walk to start was an excellent addition, creating the perfect atmosphere....