'It is impossible to make a piece of theatre that does not quote, borrow and reference from other artists. I believe that this act of quoting is not only present in the final product, but can also be mirrored in the processes of making theatre. This is not an act of plagiarism, but rather a form of collaboration, and act of skills sharing and represents a complex web of influences. How else can we learn about the processes of making theatre without borrowing from others and trying these ideas out in new contexts? I believe this has been the most useful way that participating in Rough Mix 2010 has helped me develop my practice over the last year.