This year’s Rough Mix (our multi-art form residency) will take place at the Eastgate Theatre in Peebles from 19th June, and is supported by the National Theatre of Scotland and Creative Scotland.
We have a wonderful group of artists coming - including a composer, dancer, visual artist and occasional filmmaker. You are welcome to join us for a sharing of work at Eastgate Theatre on Friday 30th June at 6.00pm. Book a free ticket here.
Here is a brief introduction to the experienced artists:
Annie George is an Edinburgh-based, Kerala-born, writer, theatremaker and occasional filmmaker. She was recently awarded the Inspiring Scotland Saltire Bursary by the Saltire Society and Scottish Book Trust to support her writing. She is currently writing Home Is Not The Place, with dramaturgical support by Alan Bissett, for this year’s Fringe. Most recently, Annie presented a work-in-progress of Untamed, a play with live music at Imaginate’s Ideas Exchange. Annie’s solo show The Bridge was commissioned for Glasgow 2014, and toured Scotland, and to the Nehru Centre London, in 2015. Annie directed I Knew A Man Called Livingstone at National Library of Scotland at Edinburgh Fringe, Scottish International Storytelling Festival and Storymoja Hay Festival Nairobi Kenya in 2013; and Nzinga: Warrior Queen at Fringe 2016 (both by Mara Menzies).
Caitlin Skinner is a theatre director based in Edinburgh. She is Artistic Director of the Village Pub Theatre, one half of visual theatre duo Jordan and Skinner, and Director with new writing theatre company Pearlfisher. Her directing credits include Hair of the Dog, The Strange Case of Jekyll and Hyde, Sanitise (winner of 2014 Scotsman Fringe First Award) Selkie and The Happiest Day of Brendan Smillie’s Life. Caitlin was dramaturg on As the Crow Flies and rehearsal director for A Stone’s Throw. Caitlin has worked as Assistant Director with National Theatre of Scotland, Dundee Rep, Traverse Theatre and Royal Lyceum Theatre. Caitlin is co founder of collaborative theatre project Scrapyard which creates opportunities for artists to form new collaborations and explore different ways of working.
Ross Whyte is a Glasgow-based composer, originally from Aberdeen. His compositional output has included collaborations with artists of disciplines different from his own, including dance, theatre, sculpture and web design. In 2014 he collaborated with musician Alasdair Roberts on the Sound Festival project New Approaches to Traditional Music. He also has a particular passion for working alongside dancers and dance choreographers, and has collaborated with many key practitioners. Ross is one of the founding members of Orphaned Limbs Collective, an interdisciplinary group of artists that push the boundaries between disciplines. Ross has received several awards including the Chris Cadwur James Award for Composition and two Derek Ogston Postgraduate Scholarships. His debut album, Kaidan, was released in 2015 by Comprende Records. In 2016 he released the album Fairich as part of the Gaelic Ambient duo WHɎTE.
Karl Jay-Lewin started dancing at 27, after a background of carpentry and social/political activism. In 1997 he become an Associate Artist at The Place Theatre. Since then he has been working as a professional choreographer and performer. In 2000 Karl moved to Findhorn, Moray in North East Scotland. As a dance maker Karl’s work is generally rooted in the post modern, experimental dance scene. His recent practice has been significantly enhanced and developed by two important collaborations; with seminal choreographer Deborah Hay through her Solo Performance Commissioning Project (At Once 2009, I Think Not 2011); and with composer Matteo Fargion, with whom he made the live dance and music piece Extremely Bad Dancing to Extremely French Music. In addition to his work as an independent choreographer and performer, Karl is co-founder and Artistic Director of Bodysurf Scotland and co-founder of Moray Culture Café.
Flore Gardner lives and works between France and Scotland. She has been exhibiting her work in private galleries and public institutions in the UK, France and internationally since 2004. In 2016 she took part in the Hidden Door Festival in Edinburgh, for which she created an installation with the M(ob)ile, a one-mile long cord she took four months to French-knit, and which makes monumental drawings in space. From 2011 to 2013 Flore was a member of the artist's group UCD Un certain détachement, based in Grenoble. They specialised in the production and sale of art multiples, presented in recycled vending machines situated in non-art spaces, a "gallery in a box”. In 2003, she founded and ran for two years the artist’s restaurant, Les 19... in Marseilles, France. Flore invented and cooked monochromatic/thematic menus, serving a different one every day.