Magnetic North Blog
From 23 February five artists will embark on a creative retreat we call Space/Time in Dumfries & Galloway.
Space Time is a paid five-day creative retreat for experienced artists. It aims to refresh participants and allow them to re-boot and flourish.
The artists taking part are:
Gillian Brent (sculpture)
Gillian is a sculptor and installation artist based in Sheffield. She has worked with welded steel for all of her career.
Claire Halleran (set design)
Claire has been working as a freelance designer since 2002. She is based in Glasgow and works on projects at home and abroad.
Harry Harris (songwriter)
Harry is a songwriter based in Edinburgh. His latest release, The Andre The Giant EP, is a collaboration with producers Chemikal Recipe and designer Gavin Day.
Carol McKay (creative writing)
Carol writes fiction, life writing, and poetry, and also teaches creative writing for the Open University along with private classes. She is based in South Lanarkshire.
Ewan Robertson (sculpture)
Based at Edinburgh Sculpture Workshop, Ewan lectures in sculpture at Edinburgh College of Art.
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Our next Space Time retreat will run from 23rd-27th February 2018 at the Swallow Theatre in Dumfries and Galloway and the application process is now open. Experienced artists from any art form are welcome to apply by the deadline of 5pm on Friday 22nd December.
Space/Time is a paid creative retreat for experienced artists from all disciplines that asks the question “How does an artist keep developing?”
It aims to refresh participants through a stimulating examination of creativity. During the residency, we will explore how creativity can be nourished and how artists can continue challenging themselves to develop.
The residency combines facilitated dialogue - built around a series of self-generated questions - with time for individual reflection and work. It is led by Nicholas Bone and Alice McGrath.
You can find out more about how to apply here.
Our next Space / Time residency - a creative retreat for experienced artists - begins on Friday at Cove Park on the west coast of Scotland.
Space / Time aims to refresh the artists taking part, and to give them the space and time to reflect on their own creative practice. The residency is led by Nicholas Bone and Alice McGrath.
Here is a brief introduction to the artists coming:
Tam Dean Burn
Tam has been an actor and performer for 45 years. Born in Leith, he performs regularly with the London art radio station resonancefm.com. His acting work includes: Tutti Frutti,
Home Edinburgh (National Theatre of Scotland); Mary Stuart (Donmar Warehouse and Apollo West End); The Cutting Room and Filth (Citizens, National Tour and Calgary, Canada). Television work includes: Longford (Channel 4); River City (BBC); Taggart (STV).
A visual artist (mainly in carved natural stone) based in rural Moray, Mary's practice includes studio work, commissions for public places and education work. All of her practice is concerned with how we relate subjectively to our physical world. Trained at Edinburgh College of Art, her professional experience has included public commissions, including artwork at Bennachie, Aberdeenshire; Mallerstang, East Cumbria and Mugdock Country Park, Milngavie. She has worked with high profile architects like Page/Park (Eden Court Theatre) and Malcolm Fraser (Scottish Poetry Library), and with Scottish Historic Buildings Trust and Historic Environment Scotland.
Lynda is a playwright and dramaturg from Cork, who has been based in Glasgow for the past 12 years. She writes plays and mentors other writers and creatives. Her play Futureproof had an Irish tour earlier this year, and The Interference premiered at the Edinburgh Fringe in collaboration with Pepperdine University. The Interference was also revived in California this year, and is currently playing at the Hollywood Fringe. Lynda is developing plays with Magnetic North, Stellar Quines and MACCT students from the Royal Conservatoire Scotland.
Elaine has been working as an artist for the past 20 years in a number of disciplines: installation, performance art, dance; and over the last eight years in film. Her film work is informed by an interest in and experience of movement. The films she produces are developed from a relationship with and an interest in a particular person. Over the past four years she has specialised in working with people with dementia, drawing on her experience of working in this field with dance throughout her career. Her next film will explore the impact of dementia on a relationship.
The first recipient of Magnetic North Artist's Attachment award Hanna Tuulikki is a visual artist, composer, and performer who works with the voice. Her approach is relational and place-responsive, and she is interested in how sound, gesture and language frame our connection with our environment. Though she works across different media, the voice is central to her practice – her first love is to sing and she composes for and with the voice, creating tapestries of a cappella sound that sit at the heart of live performances, films and audiovisual installations. Over the past few years, she has begun to blend her musical compositions with gesture and costume.
The next Space / Time retreat will be held in February 2018. Application information will be available in early December - join our Artist Development mailing list to receive details.
From 7 June five artists will embark on a creative retreat we call Space/Time in Dumfries and Galloway. Their mission? To nourish their creativity. Three of the selected artists have written about how they hope Space/Time will allow them to re-boot and flourish:
I’ve been a participant in a couple of Rough Mix workshops in the past, but this is my first time with Space/Time. I’m looking forward to it. I think the act of getting away from the everyday routines for a while, and being able to have the luxury of focussing on why or how we make things, with a small group who create different kinds of things...leading hopefully to revealing how we might or indeed may have, found ways to nurture and sustain that spirit.
I’ve worked in dance for a large part of my life, but from the moment I extracted myself from the world of ballet (a very long time ago) I’ve been interested in a post-modern mixture of devised forms: happening, theatre, performance, installation, film, live art. Over recent years I’ve derived satisfaction from co-creating events which make use of video, sound, found objects and locations. I like to work with actors, musicians, singers, visual artists, dancers and fearless people. I’m currently interested in exploring the areas where possibly random events coalesce and become a performance. I think maybe this relates to the creative process of putting things together to make some art.
Which piece of work do you feel most proud of?
I think sometimes the most painful pieces (the process of making them) in retrospect, but usually where people are inspired and collaborate . Often I can only fully recognise what I was making when it’s all over.
Who do you most admire in life?
In people: an ability to see positive things and be generous. In general: the fact that the world we inhabit contains so much detail, complexity and magic.
I have been working from my rural purpose-built studio near Inverness for the last 25 years. I studied Drawing and Painting at the Glasgow School of Art from 1983-87, completing at Post-Graduate level in 1988.
I started to develop landscape in my work, holding my first solo show in London in 1990. I have subsequently had many solo and mixed exhibitions nationwide.
I was partly brought up in East Lothian, where the expansive skies and coastal features were a huge influence, and presently in the varied and diverse landscape of the Highlands.
My work is a fusion between a traditional approach and an integration of abstract elements, both very important aspects for me, contributing to the development of the composition, and the final dynamic of the painting
I came upon the Space/Time opportunity completely by chance. At the time it seemed like a gift. The creative problems I faced were overwhelming, and this was a wonderful opportunity to re-boot, and maybe hear from other artists on how they are able to sustain their practice and overcome their own difficulties and continue to flourish.
A poem first, and then some prose: