Magnetic North Blog

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Shifting Identity

Prior to my artist attachment with Magnetic North I simply identified as a Scottish theatre maker. I’m six months in and I’m finding this is starting to shift. 

 

The purpose of my attachment was to integrate my recently completed MSc in Sustainable Rural Development into my arts practice. One way I identified of doing this was to focus on the divisive issue of rewilding in Scotland. This line of inquiry has lead me to discover a new network of artists, researchers and scientists, as well as reconnect with old colleagues and friends. It’s taken me to numerous rewilding projects across Scotland, to festivals, conferences, talks in community spaces and various SSIs (Sites of Special Scientific Interest). Its given me an insight into the conversations that are being had in the arts sector, and beyond, about rewilding, climate change, land management and land reform. 

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Lost in Music

From about the age of 11 onwards I was obsessed with music. I developed all the usual symptoms: buying too many records, taping songs from the radio, learning the guitar. I progressed along the well trodden path of buying albums rather than singles - spending hours in record shops flicking through vinyl with fellow obsessives - going to gigs, following obscure paths to new music, and playing in a band. The music I listened to between the ages of 11 and 21 probably had more effect on me than pretty much anything else: it affected how I dressed, how I spoke, and who I was friends with; it led me to books, films, and artists I might never have discovered otherwise. For better and worse, it made me what I am today.

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Orpheus & Eurydice

I have been playing the drums from the age of 13, and touring all over the world from the age of 21, but I've never been involved in anything quite like the Lost in Music project. Traditionally, drummers are the lowest in the food chain within any band... then bass players... then guitarists... then those human peacocks with the God-shaped hole in their soul: lead singers. Drummers are also considered to be a bit thick, with a touch of the caveman about them. As a drummer, I am used to the role of supporting other people's ideas. But I am also lucky enough to have done that with some of the most innovative musicians of my generation. So, I have had privileged access to some very unusual and highly developed methods of song writing, recording and performing. This has served me well when I have come to start my own bands and write my own songs.

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‘Lost in Music’: reflecting the inner thoughts, fears and aspirations of 2019’s young generation.

Lost in Music, Scottish director Nicholas Bone’s collaboration with composer Kim Moore (who also produces work as WOLF) has its UK premiere at North Edinburgh Arts from 1-2 March and then plays at Platform, Glasgow on 6-7 March 2019.

An intriguing and engaging mix of gig-theatre and verbatim performance, Lost in Music features new songs inspired by the Greek myth of Orpheus and Eurydice - the story of a talented musical couple’s journey to hell and back - and the voices of young musicians talking about what music means to them and how it informs their lives, friendships and sense of self.


Read the full Lost in Music media release (PDF).

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Aotearoa (The Long, White Cloud)

I’m on the other side of the world, at the almost northernmost point of the north island. This is Cape Reinga, where the Tasman Sea meets the Pacific Ocean in a spectacular swirl of currents. It is a sacred site, steeped in spirituality; for Māori, this is the place where the wairua (spirit) of their recently passed loved ones depart to the afterlife, their homeland Hawaiki.

 

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