August might feel a long way away, but the Edinburgh Festival Fringe is well and truly in motion with programme launches galore. We thought we'd share our pick of the shows featuring artists who have participated in our development programmes:
Our next Space Time retreat will run from 4th-9th October 2019 at Cove Park in Argyll and the application process is now open. Experienced artists from any art form are welcome to apply by the deadline of 1pm on Friday 21st June.
Space/Timeis a paid creative retreat for experienced artists from all disciplines that asks the question “How does an artist keep developing?”
It aims to refresh participants through a stimulating examination of creativity. During the residency, we will explore how creativity can be nourished and how artists can continue challenging themselves to develop.
The residency combines facilitated dialogue - built around a series of self-generated questions - with time for individual reflection and work. It is led by Nicholas Bone and Alice McGrath.
Prior to my artist attachment with Magnetic North I simply identified as a Scottish theatre maker. I’m six months in and I’m finding this is starting to shift.
The purpose of my attachment was to integrate my recently completed MSc in Sustainable Rural Development into my arts practice. One way I identified of doing this was to focus on the divisive issue of rewilding in Scotland. This line of inquiry has lead me to discover a new network of artists, researchers and scientists, as well as reconnect with old colleagues and friends. It’s taken me to numerous rewilding projects across Scotland, to festivals, conferences, talks in community spaces and various SSIs (Sites of Special Scientific Interest). Its given me an insight into the conversations that are being had in the arts sector, and beyond, about rewilding, climate change, land management and land reform.
From about the age of 11 onwards I was obsessed with music. I developed all the usual symptoms: buying too many records, taping songs from the radio, learning the guitar. I progressed along the well trodden path of buying albums rather than singles - spending hours in record shops flicking through vinyl with fellow obsessives - going to gigs, following obscure paths to new music, and playing in a band. The music I listened to between the ages of 11 and 21 probably had more effect on me than pretty much anything else: it affected how I dressed, how I spoke, and who I was friends with; it led me to books, films, and artists I might never have discovered otherwise. For better and worse, it made me what I am today.
I have been playing the drums from the age of 13, and touring all over the world from the age of 21, but I've never been involved in anything quite like the Lost in Music project. Traditionally, drummers are the lowest in the food chain within any band... then bass players... then guitarists... then those human peacocks with the God-shaped hole in their soul: lead singers. Drummers are also considered to be a bit thick, with a touch of the caveman about them. As a drummer, I am used to the role of supporting other people's ideas. But I am also lucky enough to have done that with some of the most innovative musicians of my generation. So, I have had privileged access to some very unusual and highly developed methods of song writing, recording and performing. This has served me well when I have come to start my own bands and write my own songs.